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埃里克·威克斯:一朵玫瑰的别名(Eric Weeks:A ROSE BY ANY OTHER NAME )

添加时间:2017年07月28日 访问次数:


 

作者简介:

埃里克·威克斯摄影和视频艺术家,策展人,宾夕法尼亚艺术与设计学院兰开斯特)摄影系主任。作品世界各地展出,并且永久藏在洛杉机艺术博物馆、芝加哥艺术学院、当代摄影博物馆、欧洲摄影之家、国立图书馆、耶鲁大学美术馆和埃尔顿爵士合集。他的专著被爱者的世界纽约Pablo's Birthday出版,作品也被Zoom,Photo +,Fahrenheit和Dear Dave等多家媒体采用。 他的作品由巴黎凯瑟琳画廊和AndréHug代理曾担任2016韩国全州国际摄影节展览总监。威克斯拥有耶鲁大学艺术硕士和纽约视觉艺术学院的艺术学士学位 

Artist Bio:

Eric Weeks is an artist using photography and video, a curator, and Chair of the Photography Department at the Pennsylvania College of Art and Design in Lancaster, PA. His photographs and video have been exhibited internationally, and are in the permanent collections of the Los Angeles County Museum of Art, The Art Institute of Chicago, Museum of Contemporary Photography, Mai-son Européene de la Photographie, Bibliothèque Nationale, Yale University Art Gallery and the Sir Elton John Collection. His monograph "World Was in the Face of the Beloved" was published by Pablo's Birthday (New York), and port-folios have been appeared in Zoom, Photo +, Fahrenheit, and Dear Dave, among others. He is represented by Galerie Catherine et André Hug in Paris. He was recently the Exhibition Director of the 2016 Jeonju International Pho-tography Festival in Jeonju, South Korea. Weeks received a MFA from Yale University, and a BFA from the School of Visual Arts.


展览前言:

一个名字...我们与物,思想与情感命名,以便分类与识别,这组影像作品该过程的隐喻。作品请观众重新评估人物、地点、植物和动物所代表的意义,并体会他们之间的关联,我也希望观众找到某种视觉关联,迸发出情感心理联想

同言语结构一样,视觉分类中的图片名词也可以是主语动词宾语形容词和副词等等各种视觉短语通过图形手段来传达复杂的想法非通过文字和线性方法。我采用当代手段来实践古代语言,以回应当今后现代主义环境下的表情语义

我的作品探索了摄影在描述特殊细节和开放结局故事时的可能性。这组照片中,每幅画面画面与画面之间讲述着不同故事希望通过视觉语言,表达奋斗、失败、自我价值释放等思想情感。

Project Introduction:

A name… We give names to people, things, thoughts, and emotions to identify, categorize and differentiate. The photographic combinations presented here are metaphors about that process. These images ask the viewer to re-evaluate the meanings signified by the persons, places, plants and animals and consider the synapses that connect them. I invite the viewer to seek visual correlations that create new emotional and psychological associations.

Visual groupings can function much like verbal language structure with images of nouns serving as subjects, verbs, objects, adjectives, and adverbs. The phrases here communicate complex ideas through pictorial means, rather than literal and linear methods. I am practicing an ancient language with modern instruments while simultaneously echoing today’s postmodern emoji-driven semantics.

My work is concerned with photography's ability to describe specific details and to suggest open-ended stories. In this group of photographs, narrative is presented in each frame as well as between the various images. My goal with this body of work is to visually express the thoughts and emotions associated with struggle, loss, self-actualization, and liberation.

 


 

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